We call it personal branding, but the catalog uses the terms below. Had a question about this so I’ll pass it along.
What are you conveying to others through your body language and what are other people telling you with theirs?
These books go beyond the obvious – like crossed arms – and talk about the significance of eye movements, the position of feet and other interesting tells. You are guaranteed to learn something!
Check out one of our audiobooks on CD titles.
You can search here and limit to audiobooks or walk up to the third floor and browse the titles (they are in the upper right hand of the floor, or ask to be shown the area).
We have everything from ancient history to psychology to recent works like this title from Erik Larson (In the Garden of Beasts).
Chuck Palahniuk is best known as the author of Fight Club, the classic novel that was also made into a classic film. The novel opens with the memorable line “Tyler gets me a job as a waiter, after that Tyler’s bushmen got into my mouth and saying, the first step to eternal life is you have to die.”
From there on we learn the tale of a milquetoastish individual who discovers his Nietzschean will to power via the machinations of the mysterious Tyler Durden. The first rule of Fight Club is not to talk about Fight Club.
The author also went on to write several equally unusual books. Link above.
Jim Thompson wrote a lot of dark crime thrillers set in the southwest. They are classic American noir: doomed characters, cheap hotels, lonely towns – the works. Since you are living in San Marcos, you should know that one of his most famous novels – The Getaway – was made into a classic film that was partially filled right here in San Marcos!
The Getaway (1959) provides a telling example of just how Thompson can alter the boundaries of normal crime fiction; it begins as a relatively orthodox big caper novel about the usual daring and capable crook who plans a perfect crime that inevitably goes awry. He takes the premise much further, however, when the criminal mastermind, Doc, must escape by, among other difficulties, being buried alive and tunneling through excrement–a characteristic Thompson touch–before ending up at the perfect hideout, an expensive resort designed especially for crooks on the lam. Once there, however, Doc realizes that he has descended into a version of Hell itself, truly a last resort.
Some of Thompson’s titles, like A Swell-Looking Babe (1954) and A Hell of a Woman (1954), suggest the rather quaint raciness and directness of his pulp antecedents; others, like The Killer inside Me (1952) and The Nothing Man (1954), neatly sum up the perversity and emptiness of his vision. Like the later Pop. 1280 (1964), which it resembles in plot, narrator, and murder-by-murder progression, The Killer inside Me details the virtually motiveless violence of a pure psychopath, a man who is almost beautiful in his entirely conscious, unsullied madness. The narrator-protagonist, Deputy Lou Ford, beats women for his (and sometimes their) sexual pleasure, commits a series of brutal murders, and, most horribly, enjoys conversing in a series of exaggeratedly idiotic platitudes that mock his listeners, readers, and perhaps even himself. His thoroughly insincere harangue about sending black people back to Africa, as well as his reiteration of sentiments about clouds with silver linings, heat and humidity, rain bringing rainbows, and so forth, betray his cunning madness and his wholesale hatred better than all his terrible violence. Even worse than the banality of evil, for Thompson, is the conscious banality of its utterance.
Extending its despair even further than The Killer inside Me, The Nothing Man may serve as the best example of Thompson’s vaunted nihilism. Its protagonist, a newspaperman named Clinton Brown, who talks occasionally like Lou Ford, has suffered essentially the same war wound as Jake Barnes; his lack of a penis defines his nothingness and impels him to destruction. He drinks, scorns, hurts, and kills, but is so much a nothing man that he cannot even get himself blamed for the crimes he commits; his doom is to continue his life as a nothing man.
Although his style often breaks down into the mixture of urgent pacing and heavy facetiousness of too many pulp writers, and his dialogue seems less acceptable than his narration, Thompson’s characters, actions, and themes underline the originality of his achievement. Within a narrow and violent world his work attains a special and most disturbing originality; some of his peers write better, but none, like it or not, attains so bleak a vision of human emptiness.
This video tutorial will show you how to find current newspaper articles for the Austin American-Statesman as well as other major newspapers.
Simply Map is a great database that breaks down the social, demographic and economic characteristics of any location in the United States.
But finding out how to search from a radius is tricky. Here’s a video that shows you how to do that.
I have fond memories of Scarecrow Press. If you needed an introduction or overview of almost anything – the history of Panama, women music educators, anthropological theorists, you name it – you would eventually run into Scarecrow Press.
Just a couple of hours reading these books did wonders to increase your comprehension of advanced or graduate-level courses.
You can either search the link above or type in your keyword and then the word Scarecrow.
There’s an actual science to interpreting your dreams – how to relate your dream to your life, what your dreams really mean, and different versions of yourself or others in the dream (hidden parts of your personality or other people may appear as different characters in your dream).
Reading this material will definitely help you decode what you are dreaming about.