New Alkek Library READ poster and postcards with graduate Daniela Garcia!

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This is our new READ poster image with recent graduate, Daniela Garcia! You can get your free postcards at these locations in Alkek Library:

Circulation and Research & Info desk – main or 2nd floor
Periodicals/Media desk –  3rd floor
Government Info desk – 4th floor
The Wittliff – 7th floor

They will also be available soon at the Round Rock Campus Library.

Here is Daniela’s full testimonial about reading and the library. Her quote is on the back of the READ postcards too:

“Growing up I never truly had immediate access to luxury entertainment thus naturally causing me to shift my attention towards books. My sisters were older than me by a few years so I always found myself connected to characters inside books of many sorts instead. Throughout my public education, I would look forward to the school book raffles sometimes giving me the opportunity to get more than one book! My own personal library has been developing since those times and has even inspired me to write my own stories. Out of this inspiration derived the decision to attempt a degree in English to be able to hone my writing craft. Being surrounded by books to me means surrounded by a myriad number of worlds and characters. Being surrounded by books means surrounded by endless possibilities and opportunities to learn. This is why I love books and why the library is the most magical place for me to be.”

Daniela Garcia
BA in English, Film emphasis
Minor in Anthropology
Sigma Tau Delta International English Honors Society Member

Featured Author: Jane Jacobs

Jane Jacobs was a fascinating thinker, economist, urban studies and public policy theorist. Her work addresses the growth of cities and their economies.

Here are some interesting ideas she poses in her work The Economy of Cities.

Why adding new work to old work is crucial to growing an economy (instead of merely dividing existing work more)

Why loosely structured and inefficient economies are better suited to survive change.
Why cities predated agriculture as we know it.
How cities can replace imported goods with their own industries.
Why some villages grow into cities and some do not.
How the design of urban spacies can either promote order or hinder it.

If you are studying urban studies, public policy or economics you need to read her.

For some reason, she has two entries in the catalog. One here, the other here.

Featured Author: Haruki Murakami (The Wind-Up Bird Chronicle)

Our books here.

Background from this article

Murakami grew up, mostly, in the suburbs surrounding Kobe, an international port defined by the din of many languages. As a teenager, he immersed himself in American culture, especially hard-boiled detective novels and jazz. He internalized their attitude of cool rebellion, and in his early 20s, instead of joining the ranks of a large corporation, Murakami grew out his hair and his beard, married against his parents’ wishes, took out a loan and opened a jazz club in Tokyo called Peter Cat. He spent nearly 10 years absorbed in the day-to-day operations of the club: sweeping up, listening to music, making sandwiches and mixing drinks deep into the night.

His career as a writer began in classic Murakami style: out of nowhere, in the most ordinary possible setting, a mystical truth suddenly descended upon him and changed his life forever. Murakami, age 29, was sitting in the outfield at his local baseball stadium, drinking a beer, when a batter — an American transplant named Dave Hilton — hit a double. It was a normal-/enough play, but as the ball flew through the air, an epiphany struck Murakami. He realized, suddenly, that he could write a novel. He had never felt a serious desire to do so before, but now it was overwhelming. And so he did: after the game, he went to a bookstore, bought a pen and some paper and over the next couple of months produced ”Hear the Wind Sing,” a slim, elliptical tale of a nameless 21-year-old narrator, his friend called the Rat and a four-fingered woman. Nothing much happens, but the Murakami voice is there from the start: a strange broth of ennui and exoticism.

Nutshell And Demystified Books Provide Great Introductions To Complex Topics

These books are great introductions to legal topics such as arbitration, contracts, corporate finance, copyright law and more.

You need a good introduction to a HARD topic. Written to get you started, and as intelligent as you are.You already know what the median and mode are; you need a discussion of Bayesian probability, or 12 ways of looking at correlation, or population distribution, etc.

Enter the wonderful Demystified series.

Here are some examples.

Business Stats Demystified.
Stats Demystified
Probability Demystified

Featured Author: Michel Houellebecq (The Elementary Particles)

Michel Houellebecq books here.

A good introduction from this article:

Michel Houellebecq is, simply, a satirist. He likes to take what’s happening now and imagine what would happen if it kept on happening. That’s what satirists do. Jonathan Swift saw that the English were treating the Irish as animals; what if they took the next natural step and ate their babies?

Houellebecq is not merely a satirist but—more unusually—a sincere satirist, genuinely saddened by the absurdities of history and the madnesses of mankind. He doesn’t “delight in depicting our follies,” as reviewers like to say; he’s made miserable by them. French reviews and American previews of “Submission” might leave one with the impression of a sardonic, teeth-baring polemic about the evils of Islam, the absurdities of feminism, the terrible demoralization of French life. In truth, the tone of the book is melancholic rather than polemical. Life makes Houellebecq blue. “The totality of animals, the crushing majority of men, live without ever finding the least need for justification,” his narrator, a literature professor at the Sorbonne, reflects. “They live because they live, and that’s all, and that’s how they reason—and then I suppose they die because they die, and this, in their eyes, ends the analysis.” That’s Houellebecq’s typical tone; the book’s virtues lie in his mordant, disabused eye for depressing details of French life.

Even if, sentence by sentence, Houellebecq is not a writer to envy, certainly he does have a voice of his own, one of slightly resigned sociological detachment. In the very first pages of the new book, he remarks, apropos the uses of a university degree in literature, that “a young woman applying for a job as a saleswoman at Céline or Hermès will, in the first place, have to take care of her appearance, but a literature degree could constitute a secondary attribute pleasing to the employer, suggesting a certain intellectual agility that might indicate a potential evolution of her career—literature, in place of useful skills, still has a positive connotation in the domain of the luxury industry.” You master Proust to become a better salesgirl, and what else would you expect? The commodification of the world and the art and the people in it leaves Houellebecq unexcited.