Some quick links to books on technical writing.
Robert Aickman was a master of the “strange story.” His style is related to MR James and the ghost stories of Henry James, but Aickman has his own voice. Enigma, vibe and alienation are some of his hallmarks.
In “The Inner Room,” collected in Sub Rosa (1968), a woman narrates the story of an incident from her early childhood in a struggling family that later splits apart. She receives as a birthday gift an enormous dollhouse that contains a mysteriously inaccessible inner room. Later in life, she visits what is apparently the actual house on which the dollhouse was modeled and comes close to discovering a nameless horror in the inner room, which signifies the hidden life of dream–or rather dream as reality, which creates emotional peril when repressed.
If you took a class and it’s been a while, you may look up your course descriptions here.
Due to my myriad of roles as a doctoral student, Senior Lecturer, Common Reading Coordinator, and Assistant Director of the Common Experience, I have used many of the services provided by the library, including reservation of spaces for events, personal exploration and development, professional development, research and teaching support from research and instructional librarians, use of innovative spaces like the 3D printing lab and YouStar Studio, and inspirational events, such as Technology Day. I appreciate each of these services and the fact that those who work at Alkek provide these services genuinely and with a smile on their faces; they seem to enjoy what they’re doing.
In spite of her desultory M.O., Eisenberg has somehow managed to produce one of the most original and accomplished bodies of work in contemporary literature. With the exception of a play, a book about the painter Jennifer Bartlett and a handful of critical essays, her output consists entirely of short stories, and yet as a portraitist and interpreter of the moral and political chaos of American life she is the equal of any novelist of the past 30 years. Her stories rove from the Midwest, where she was born, to the metropolitan centers and foreign outposts of American power and concern the fate of artists and intellectuals, bankers, movie stars and C.I.A. apparatchiks, as well as drifters, dropouts and dead-enders, the politically displaced and the existentially homeless. Like their creator, her dramatis personae are beings of an almost extraterrestrial sensitivity and confusion; they look at the world with a kind of radical naïveté, as though they had never before encountered cars, buildings, trees or clouds, let alone the ambiguous workings of human social life. Just how strange it is to be that lost and lonely creature, oneself, is a realization that Eisenberg’s world-dazed men and women arrive at time and again.
Primary sources are documents that are direct records of an event, raw data, documents, magazines or newspapers from the time, photos or other material created at the time of an event. Even audio recordings, buildings, or just about anything could be considered primary sources.
Again, if you’re working in the field of history, you can search our catalog for published collections of primary sources.
Our history maven Margaret Vavarek suggests the searching the following key words in the catalog: Correspondence, Description and Travel, Diaries, Interviews, Personal Narratives, Sources, Letters or Speeches